Karim Said: Beethoven Mozart Schoenberg & Webern
Karim Said: Beethoven Mozart Schoenberg & Webern
Format: CD
Orders containing preorder items are shipped as one upon release of the preorder(s)
On average, orders containing available-to-ship items are processed and dispatched within 1-2 business days, although this is not guaranteed.
Orders containing preorder items will ship as 1 fulfillment once all items in the order are available to ship.
Please note, Tower Records Merchandise and Exclusives are dispatched separately. On average, these items take 3-4 business days to dispatch, although this is not guaranteed.
The estimated shipping times that are displayed at checkout are from the point of dispatch.
See our shipping policy for more information.
We have a 30-day return policy, which means you have 30 days after receiving your item(s) to make a return.
To be eligible for a return of an unwanted item, your item must be in the same condition that you received it and in its original packaging.
In the unfortunate situation that a product is damaged/faulty/incorrect, let us know and we will endeavor to correct any issue as soon as possible.
Please see our refund policy for more information.
Artist: Karim Said
Label: Rubicon
Product Type: COMPACT DISCS
UPC: 5065002228666
Genre: Classical Artists
The first and second Viennese school is the focus of Karim Said's third album for Rubicon. The music spans just over a century, but in that time, two composers who changed the course of music - Beethoven and Schoenberg flourished. Schoenberg's music is no longer 'modern'. It is over 100 years old. It has influences of jazz and the waltz. Just over a century earlier, Beethoven's 3rd Symphony, Eroica pushed the boundaries of the classical symphony to breaking point and ushered in a new age. Beethoven's Eroica Variations can still shock and sound a world away from Mozart and his Vienna. In many ways these variations have an affinity with 20th century piano writing. Schoenberg had turned away from late romanticism and large-scale compositions. His works here are extreme in their brevity and concentration, something his greatest pupil Webern was to develop further in his set of extremely dissonant and terse Variations.
Tracks:
